The corny tale of being exploited and manipulated in the Entertainment Capital is as old as those 1930s exploitation films Hollywood used to crank out, and Nash merely uses it to provide PT with a soap box concerning his views on how the Adult industry has deteriorated. with her boyfriend/manager/director Dale DaBone and their trusty (up to a point) cameraman Voodoo, on the invitation of PT based on submission of an X-rated audition tape. She's a hayseed actress traveling to L.A. (Get those award trophies ready!) It's something of a vehicle to then-current top Vivid contract player Taylor Hayes, whose beautiful face and body are on display but whose acting is quite poor here. That and a score of other cliches form the backbone of Nash's script, which PT manages to make worse with lousy direction. PT is the central character, cast as a great porn director who is seeking truth, spontaneity in his films and above all players "living in the moment". In reality it should have won Adult Cinema's version of the Razzies. Of course the porn industry awards for the year made it out to be "Lawrence of Arabia" or "West Side Story", a reflection on how dubious these accolades are. Along with its sequel, it's designed to please fans of false endings and pseudo-cleverness. Paul Thomas's scriptwriter Dean Nash stretches self-indulgence into new realms in this ridiculous combination of a pornographer's navel gazing and attempts at ridiculous plot twists.
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